REAL ITALIAN MOVIES
Sick #13, June 1962
LABBRA ROSSE (RED LIPS) (1960)
dir: Giuseppe Bennatti
IL MIO AMICO JECKYLL (MY FRIEND JECKYLL) (1960)
dir: Marino Girolami
IL VIGILE (THE COP)
dir:Luigi Zampa
Another of Sick's articles made from publicity stills. Here's three movies I found no English translations of. Who knows if they even exist.
FOREIGN MOVIES
MAD #33, June 1957
a: Wallace Wood
This made more sense when movies had to adhere to a production code.
A-Z GUIDE TO MOVIES AND TV SHOWS PARODIED BY MAD, CRACKED, CRAZY, ETC. UP TO 1996. THEY HAVE NOTHING TO DO WITH THIS. SPOILERS AND OTHER NON-SEQUITURS, TOO. SOMETIMES THESE THINGS HAVE WORDS OR SITUATIONS WE DON'T USE ANYMORE. YOU KNOW, 'CAUSE THEY'RE OLD.
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Showing posts with label MARTY. Show all posts
Showing posts with label MARTY. Show all posts
Tuesday, April 18, 2023
Friday, September 30, 2022
MARDY
MARTY (1955)
dir: Delbert Mann
IF “MARDY” WERE MADE IN HOLLYWOOD TODAY
MAD #78, April 1963
w: Larry Siegel
a: Mort Drucker
Based on a play about a single guy (Ernest Borgnine) in the Bronx hanging out with his friends and his mother wanting him to settle down to get married. Most people only know about “What do you wanna do, Marty?”/”I dunno. Whatchoo wanna do?” That's all I know, and that's all you really need too.
The angle here is about how movies used to be simply made on a simple budget. Paddy Chayefsky was a famous screenwriter known for The Hospital, Network, Altered States, and many others. He was one of the few screenwriters where his name was usually the bigger draw than the director or actors. Movies are seen as all big-budget releases now (now being 1963), though big budget epics have been around as long as there's been a Hollywood. The butcher here is Phil Silvers. The subway race is based on the chariot race in Ben-Hur (again a big budget epic remade countless times before 1963) driven by Tony Curtis, with Heston racing Kirk Douglas, their appearances being a reference to Spartacus. Burt Lancaster (who co-incidentally co-produced Marty) and Marlon Brando are in the second panel. Brigitte Bardot and Yul Brynner are in the third. The last panel is a reference to Exodus. Not sure if Marlon Brando as Mr. Christian or Kirk Douglas in the second panel are supposed to be the same characters. From MAD #33, June 1957. Art by Wally Wood. From If Famous Authors Wrote For the Comics by Frank Jacobs and Wally Wood, in MAD #46, April 1959. ARTIE
Riot #4, February 1956
w: Stan Lee
a: Howie Post
dir: Delbert Mann
IF “MARDY” WERE MADE IN HOLLYWOOD TODAY
MAD #78, April 1963
w: Larry Siegel
a: Mort Drucker
Based on a play about a single guy (Ernest Borgnine) in the Bronx hanging out with his friends and his mother wanting him to settle down to get married. Most people only know about “What do you wanna do, Marty?”/”I dunno. Whatchoo wanna do?” That's all I know, and that's all you really need too.
The angle here is about how movies used to be simply made on a simple budget. Paddy Chayefsky was a famous screenwriter known for The Hospital, Network, Altered States, and many others. He was one of the few screenwriters where his name was usually the bigger draw than the director or actors. Movies are seen as all big-budget releases now (now being 1963), though big budget epics have been around as long as there's been a Hollywood. The butcher here is Phil Silvers. The subway race is based on the chariot race in Ben-Hur (again a big budget epic remade countless times before 1963) driven by Tony Curtis, with Heston racing Kirk Douglas, their appearances being a reference to Spartacus. Burt Lancaster (who co-incidentally co-produced Marty) and Marlon Brando are in the second panel. Brigitte Bardot and Yul Brynner are in the third. The last panel is a reference to Exodus. Not sure if Marlon Brando as Mr. Christian or Kirk Douglas in the second panel are supposed to be the same characters. From MAD #33, June 1957. Art by Wally Wood. From If Famous Authors Wrote For the Comics by Frank Jacobs and Wally Wood, in MAD #46, April 1959. ARTIE
Riot #4, February 1956
w: Stan Lee
a: Howie Post
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