dir: Richard Donner
MAD #208, July 1979
w: Larry Siegel
a: Mort Drucker
On the planet Krypton, Jor-El (Marlon Brando) has sentenced Zod (Terence Stamp), Ursa (Sarah Douglas), and Non (Jack O'Halloran) to the Phantom Zone, in a plot point that has nothing to do with anything until the sequel, maybe because both were filmed at the same time and they thought that might be in this. He also warns everyone that Krypton will be destroyed by their sun and they ignore him. Marlon Brando only appears at the beginning for fifteen minutes and gets top billing, and was paid three million dollars, more than any actor was ever paid up to that point.
Before Krypton is destroyed, Jor-El and Lara (Susannah York) send their only son to Earth. He lands in Smallville where he's discovered by Jonathan (Glenn Ford) and Martha Kent (Phyllis Thaxter) The Ford pick-up has a license plate that says “Glenn”. You get it?
The baby lifts the truck and saves Jonathan from being crushed from it while changing it. They decide to keep him and call him Clark. He hides his superhuman strength from the others in his school. One day after his father has died, Clark discovers a green crystal from the ship he landed in, leading him to the arctic where he sees an image of his father telling him he is there to do good. The “invest in plastics” line may be a quote from The Graduate, or maybe just a joke about something a relative might say.
Clark (Christopher Reeve) moves to Metropolis (which is an exact duplicate of New York City with a World Trade Center and Statue of Liberty) and gets a job at the Daily Planet, a newspaper run by Perry White (Jackie Cooper) and forms a friendship with Lois Lane (Margot Kidder). As they are leaving his first day of work, they are mugged and he tries to conceal his identity even after he's shot and bullets bounce off him. Lois is later on an assignment that night and flies off in a helicopter that gets caught in a wire and throws her out onto the edge of a skyscraper. Clark now turns into Superman and saves Lois, then stops a number of crimes and performs good deeds. Lois has a mystery date with someone who turns out to be Superman, who she interviews and he then takes her on a tour of
Don Martin's take was in that issue as well, and he did the back cover. SUPERDUPERMAN !
MAD #4, April/May 1953
w: Harvey Kurtzman
a: Wallace Wood
This was MAD's first comic book parody, which apparently caused confusion among audiences who didn't realize it was supposed to be a parody. DC sued Fawcett for trademark infringement over Captain Marvel and won, essentially putting them out of business. Captain Marvel wasn't really that similar, it was just Superman's biggest competition. DC might not have won today since the court of public opinion wasn't always a thing then. SCENES THAT NEVER MADE IT INTO THE SUPERMAN MOVIE
Bananas #29, c. 1979
w & a: Murad Gumen
There actually was more than one comic where Baby Superman was too strong to be spanked. Saturday Night Live did their parody of the movie when Margot Kidder hosted. Who knew back then that the Ant-Man movie would be more popular than the Superman remake.
Even though Pizzazz was published by DC's main competition, they still had to cover it. Tomorrow, the Cracked, Crazy, and Sick parodies.
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